Jaguar Love

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  • Bio: For over a decade, Johnny Whitney and Cody Votolato were members of the Seattle
    aggregate The Blood Brothers, a band whose immolation of the hardcore blueprint and a forward-
    in-all-directions ... (more)
  • Bio: For over a decade, Johnny Whitney and Cody Votolato were members of the Seattle
    aggregate The Blood Brothers, a band whose immolation of the hardcore blueprint and a forward-
    in-all-directions aesthetic gained them a league of ardent fans. As a member of Pretty Girls Make
    Graves, J Clark brought noise, texture and pop sensibilities over the course of three albums
    before the band adjourned two years ago.
    When The Blood Brothers went out on what would be their final European tour, Clark
    accompanied the band as a stage tech. As stress fractures were becoming apparent in the Blood
    camp, the three struck up a friendship, a "new rocking alliance", if you will. Eschewing such
    antiquated concepts as the farewell tour, posthumous releases and specially designed
    commemorative laminates, singer Whitney and guitarist Votolato began writing songs in the
    spring of 2007, and were soon joined in the new venture by multi-instrumentalist Clark. "Jaguar
    Love was a name we could all agree on," Whitney says. "We wanted to find a name that had a
    positive feel without being corny."
    Whitney describes the winter 2008 recording sessions for Take Me To The Sea as "insular and
    liberating." In addition to their respective roles, Whitney contributed keyboards and Votolato
    played some bass. But for all intents and purposes, Clark was the ship's captain, playing drums,
    bass and keyboards, as well as supervising all of the recording, mixing and engineering for the
    disc at Seattle's Two Sticks Audio (producer John Goodmanson was called in to assist with
    recording the drums).
    When new groups are spawned from the members of respected ones, the results can be
    somewhat tenuous (ask any aging prog-rocker who bought that first Asia album). Sure, as Blood
    Brothers, WhitneyÂ’s idiosyncratic vocals were jarring and exhausting, while Votolato generated
    six-stringed righteousness that seemingly channeled Greg Ginn, Captain Beefheart or Andy Gill
    (sometimes all in one song). Likewise, Clark's guitar and keyboard work lifted Pretty Girls past
    expected 'indie' signifiers. With resumes that are completely above reproach. It was essential
    that Jaguar Love find a balance between their new music as well as reconciling listeners' pre-
    conceived notions of how said music should/could sound. (less)

Bats Over The Pacific Ocean

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Take Me To The Sea